Syntax of Nariman Hasanzade's Creativity
Ganira Asgarova
Abstract. This article comprehensively examines the main features of syntactic structure in Nariman Hasanzade’s creative work. The aim of the research is to determine the functional and aesthetic role of syntax in the poet’s language and to evaluate the place of syntactic means in the formation of his individual style. The article analyzes the interaction between simple and complex sentence models in Hasanzade’s creative work and explains the role these constructions play in expressing poetic content. It is noted that while simple sentences ensure conciseness and emotional intensity in the poet’s language, complex sentences serve to express philosophical generalizations and multilayered semantic structures.
At the same time, the article emphasizes the importance of syntactic parallelism in creating poetic rhythm and harmony. Parallel constructions are regarded as an important means of strengthening ideas and increasing emotional impact. The use of syntactic devices such as inversion, ellipsis, and rhetorical questions is also analyzed, demonstrating how they expand the possibilities of poetic expression. These means create expressiveness in the poet’s language, strengthen emotional connection with the reader, and enhance the interpretative potential of the text.
The study concludes that in Nariman Hasanzade’s creative work, syntax is not merely a grammatical structure but also an aesthetic system that actively participates in shaping poetic meaning. The purposeful and skillful use of syntactic means provides his creative work with both structural integrity and semantic depth.
Keywords: Nariman Hasanzade, syntax, poetic language, parallelism, inversion, ellipsis, rhetorical question